The heart of the project is the award itself—an elegant, helix-shaped object crafted from white Corian. The design is bold yet simple, capturing the essence of Franz’s belief in radical concepts and state-of-the-art media formats. Its tactile, sculptural form serves as a physical reminder of his commitment to the documentary genre, presented annually at the Diagonale Film Festival in Graz to honour excellence in cinema and television.

In conjunction with the award, the studio developed a visual identity that prioritizes simplicity and subtle evolution. The identity’s appearance—from event posters to various graphic applications—shifts slightly each year through the careful selection of paper grades, colour, and typography. By maintaining a consistent grid and layout, the assets remain grounded in a timeless visual language. Realized through the dedicated efforts of the Diagonale, AAFP, Film Austria, and the ORF, the project stands as a lasting homage to a pivotal figure in the industry.

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The design streamlines the functions of everyday hygiene into a sleek and unique form that maximises floor space. Veech x Veech also designed Hydra XLS for smaller, more limited spaces, meaning that the Hydra series suits both home and contract markets.

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The design has a dual appearance: the front side has a straight, slender aluminium form, while on the other side, a 33-degree twist accentuates the aerodynamic shape, incorporating a unique tactile experience.

Veech x Veech worked with FSB’s technical team on the challenge of producing these two shapes and achieving the various metallic finishes and colours. The handle is now part of the FSB product range.

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Each table produced has an individual, bespoke pattern milled into the Corian surface and filled with synthetic resin, creating a unique piece of furniture with a smooth, easy-to-clean surface.

Prototyped further since the original design, the table is available to order as a commissioned piece featuring any pattern and colour combination.

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The pared-back aesthetic provides a highly original space in which the emphasis is placed not on the architectural treatment of walls, floor and ceiling but on the work surfaces and functional requirements of the equipment. At the design’s core is the entrance, featuring a curved semi-translucent glass wall with integrated media screens, as well as a bespoke 16m object made from LG Hi-Macs, which has multiple functions, ranging from a reception desk to a work station bar to a conference table. The same material was employed throughout the scheme to create 38 furniture pieces for the two upper floors, as well as ancillary conference spaces downstairs. Each table features integrated media equipment.

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